Wednesday, January 27, 2010
The Shipping News.
Monday, January 11, 2010
Briefly:
Avery Five exists in the physical world as a printed, bound, shipped, in-our-hands actual entity.
This is the awesomest thing ever.
And, don't forget to mark your social calendars to include January 29, 7 PM at Brooklyn's BookCourt, which is going to be an A5 release party that you will tell your grandchildren about. Check the facebook event here and join me in releasing the occasional squeal of excitement.
Anyway, what all this means is, if you haven't ordered A5 yet and you won't be attending the bash, now would be the time to order your copy through the handy little link on our homepage.
-Meaghan
Tuesday, January 05, 2010
Avery 5 Reading
Two important, exciting pieces of information:
1. Avery 5 is printed and ready to roll! It's en route to our door as we speak. If you're a subscriber, or have pre-ordered a copy, you will have in a week or so. Huzzah!
2. We are having a reading/party for Avery 5 at BookCourt, the greatest store on earth, on Friday, January 29th, at 7pm. There will be readers and baked goods and copies for sale and hugs and kisses to boot. Be there or be square.
More details to follow!
--Emma
Friday, December 18, 2009
It's here!
Avery 5 is now available for pre-order!
It is beautiful, it is on our website, and you can pre-order it from PayPal. (the link is right next to it.)
As if you weren't excited enough--that is, as excited as we are--we got permission from our beautiful authors to provide a sneak preview of each story. Here they are, in the order you'll read them:
"The Boy Who Jumped and Lived" by Steve Almond:
I had just settled down for a long dusk nap when I heard the muffled bang of—what was it, musket fire? No, this was Sligo. This was how Sligo entered a room. “Max is in trouble,” he bellowed.
We were grad students in philosophy, Sligo and I, soon to be booted from the academic dole. There was nothing we could do about this, so we had each come up with distinct solutions. His involved panic. Mine involved moving in with my girlfriend, Lil Thorn, who had a job.
I opened one eye and there was the Sligo Forehead, a luminous bulb of skin. The attached Sligo hovered over me, panting in the rough-throated manner particular to devout smokers. His new affectation was muttonchops. The whites of his eyes were ringed like purple onions.
"The USSR" by David Plante:
In Jane’s apartment, off the Brandeis campus in a clapboard tenement, she and Peter were sitting at a wooden table by a wide, curtainless, misted window. While Peter was telling her about his plans to go to the USSR in the summer with what the Soviets called a delegation, Jane, with the tip of a finger, cleared a square on the window pane to look out on a darkening Friday afternoon.
“May is almost here,” Jane said, “and it’s snowing.”
"Apnea" by Stephanie Carter
One night in a bar, catching up after years, my friend P. told me the story of how his roommate had died—in their house, in his sleep. By the time P. found out, the ambulance was gone and the police had left. A line of yellow caution tape hung across the doorway of the dead man’s room. Beyond that, P. could see that the man’s mattress had been removed, and even the carpeting on which the mattress had rested. The dead man had been an ascetic, P. said: the room hardly looked different, and yet it was. The line of weedy plants in front of the bare window, the stacks of library books on the floor; nobody was coming back for them.
My friend P. stood outside the police tape and tried to remember when he’d last seen his roommate alive.
"Devices" by Chelsey Johnson:
ONCE THERE WERE AN ARTIST AND AN INVENTOR.
The artist and the inventor live together in the first floor of a building that used to be a saloon in the 1800s and now has been painted dark blue with purple and red trim so it looks like a saloon in a traveling carnival. They are right up next to the sidewalk, and the inventor is always drawing the curtains shut and the artist is always opening them. The artist needs light. The inventor needs privacy. In other words, they are deeply in love. But both of them are a little bit more in love with the artist.
"He Seldom Deigns to Beat This Sickly Child" by B.B. Sevilla:
My wife has a reoccurring dream wherein every person is born self-aware.
In Lana’s dream world, every human consciousness is in possession of the same certain fact: That any person anywhere lives at certain risk, for everybody can and anybody might disappear after thinking some particular, predetermined thought. Since nobody wants the thought, nobody ponders the nature of it.
The threat would not appear to be political. Indeed, the terror lies in the apparently arbitrary nature of the phenomenon, for leftists and conservatives are equally prone, as are juveniles, poets, and pedophiles.
And so.
“The only way to be sure,” she says, “is to hone the only discipline that matters in this world. We try—the smart ones, anyway—we try our level best to match the previous day’s thoughts exactly.”
I met Lana when she was still a liberal.
"Buying the Boat" by Lawrence Mark Lane:
This was the second time I’d seen the boat. This time, I saw the black spray paint across the side of it: FOR SALE $500.
I pulled over, parked, and got out. I circled the boat. I crouched to regard the boat’s underside. I stood on my tiptoes to examine the boat’s interior.
Five hundred dollars!
The boat was twenty-two feet long and twenty years old. It had an inboard motor, 220 horsepower. Its yellow outer paint was faded, its trailer tongue evenly rusted, its seat vinyl cracked and faded from what I guessed had once been a warm beige color to a sickly marbled off-white that brought to mind coffee-stained teeth.
"Uncle John" by Brian Platzer:
Uncle John was famous for being able to balance a long metal pool-cleaning stick on his chin and keep it up in the air for as long as he wanted. John wasn’t my uncle, and as far as I knew he wasn’t related to any of the six- or seven-year-olds who sat in the bleachers watching his act. But he was in charge and broad-shouldered with thinning blond hair and a short red bathing suit, and he would discreetly glance at the nametags inside our shirt collars when he saw us around day camp in order to pretend to remember our names.
As he performed, our eyes fixed to the ten-foot stick. Uncle John tossed it from his nose up into the air and then he caught it on his chin. Afterward he delivered the morning announcements: “Lunch is meatball sandwiches. Today the temperature is seventy-eight degrees. Beware of bee season. There are bees everywhere.” Each day he found a new final item to terrify us with. Reports of lunch and the weather were always followed by threats of bees, strangers in camp, or shards of glass on the kickball field.
"There Are a Lot of Things You Don't Do" by James Kaelan:
“It’s a nice enough room,” Morton said as he turned on the light in the entryway.
Elizabeth walked past him and set her suitcase beside the bed. “It’s fine,” she said, and went to the window. It was dusk and Morton could see past her to the foothills where the clusters of oaks looked like bruises on the hill. Elizabeth had worn the same pair of jeans for three days and the denim was loose at her waist. She hadn’t eaten much during the trip. When she put her hands on her hips with her fingers in her back pockets, her arms looked thin and weak.
“Do you want to take a shower?” Morton asked.
“No.”
“We could take one together.”
"For Out of the Heart Proceed" by Jensen Beach:
Two days before he was supposed to move to Cleveland with his mother and her husband, I took my son to the mall to buy his first winter coat. Gene sat quietly in the passenger seat. I could feel him building to another one of his questions. Lately he’d been coming up with impossibilities like, “What is funny?” or “Why don’t birds have teeth?” We’d spent hours driving around, or sitting in parks if the weather was nice, discussing the answers. Just as the mall came into view a couple blocks ahead, Gene asked if I knew what ninjas were.
“They’re warriors,” I said, “from Japan.”
“Ancient Japan,” he said.
“What’s the difference?”
“It’s the same, only older.”
”Falling” by Claire Hero
Dale and Fran really believe they can gamble their way to happiness. They say as much every afternoon when they come into the Sunny CafĂ©, right after Fran gets off work and before Dale goes on. They work at the same factory, but Fran works first shift and Dale works third. They come in every afternoon and drink coffee. Dale orders a hamburger, “no onions, write that down,” and right away they start up with their talk of lottery tickets and slot machines and how they’re sure to hit it big someday.
I never bother with that kind of thing. Gambling, I mean. I don’t tend to worry much about money, and besides, I know enough about how such things work to know better than to waste my time. You’ve either got it already or you work for it. There’s no other way.
”Red Block Letters, Floating in the Sky” by Barrett Edward Swanson
Do I hate the boy? No, but he’s deaf and Miriam—his mother, my daughter—weeps in the bathroom because she knows I’ve asked Doctor Pagoda to do it today, so I think, what the heck?
“Hey,” I gargle more than yell. An accordion-like machine huffs and sucks, shoveling oxygen down my thick tobacco-black throat and into my lungs. The boy plays his video game, his face softened by the blue of the TV. He shows no response.
“Your mother never planned you. Your father even packed the night she told him about you.”
”Beyond Any Blessing” by Stuart Nadler
A week after my grandfather was fired, I came to see him at his home near the city. He had been a rabbi at the same synagogue for six decades, and although I had expected for years that he would be fired, the news still came as a surprise. A member of the Board of Directors drafted a letter of termination, and had a copy delivered both to my grandfather and to me. They assumed, I suppose, that he was becoming too old to bear the news himself.
I had my own set of keys, and when I came that afternoon in September, two days removed from the end of the Jewish calendar year, and a week from the end of the baseball season, I could hear the clamor of my grandfather’s radio from the doorstep. He never missed a ballgame, even though his hearing had been nearly gone for most of my life. In the front hallway the woman who cooked his meals met me and smiled. Her name was Marlena, and although we had passed each other in this way for years, we spoke very little. She stopped when she saw me, refusing as always to make eye contact; she backed up against the wall, a stack of folded linens in her hand.
“He’s in there,” she said.
”House of Wind” by Alyssa Knickerbocker
November, the month of forgetting. Mona puts on layers, can’t recall what the sea looked like on a sunny day, what Ben’s hands felt like on the bare skin of her back. He is vanishing in stages, like a photograph bleaching in the sun. Already gone: The shape of his face, the exact color of his eyes, the way his voice sounded when he called her name, slamming the door as he breezed into the trailer with the paper-fresh scent of winter air and sawdust, varnish and crushed grass.
At night she butterflies open her legs, puts one finger, then two, into the warmth between them, but no. Nothing stirs.
And there you are. Once again, get here and check it out!
-meaghan
Sunday, December 06, 2009
"It's a good night to be three bands."
For the first act, they were The Happiness Project, and they were profoundly interesting. The explanation was simple: they found the music in the lilts and drops of recorded speech, culled from interviews with neighbors of band member Charles Spearin (whose work The Happiness Project officially is).
They'd play a speech through, and then pick out a specific line or phrase where the speaker's voice changed, and, one instrument at a time, they'd pick up the tones. From the simple melody of the words, the song--and they were quite long songs--would develop depth and complexity while the phrase continued on loop.
Spearin, on The Happiness Project's website, said "Meaning seems to be our hunger but we should still try to taste our food. I wanted to see if I could blur the line between speaking and singing - life and art? - and write music based on these accidental melodies."
I thought throughout the whole thing about how we, as readers and writers and lovers of language, choose words for the finesse of meaning and sound. This is a different way of doing the same thing--taking what already exists (the recording, or the words), and finding the beauty in them, and using that to make something that plays off of and ascends that beauty. Even when Spearin and company were playing over the stammering of a six-year-old girl, they found a cadence in it that served as the root of something gorgeous.
-Meaghan
Saturday, November 21, 2009
Wednesday, November 04, 2009
Eating.
So, Jonathan Safran Foer is doing the publicity circuit for his first nonfiction work, Eating Animals, which concerns itself with vegetarianism and the ethics of meat-eating. He was on WNYC and The Ellen Degeneres Show, promoting the book. Interestingly, when Brian Lehrer asked Foer what set Eating Animals apart from other books on the topic of vegetarianism and the meat industry, he replied that no such books existed. (FYI, Jonathan.) This was so perplexing that it distracted from the remaining twelve minutes of the interview.
But apparently he got over the fear of dogs that came up in Everything is Illuminated, so that's nice.
More likely to cross my reading list is Eating the Dinosaur by Chuck Klosterman, a consistently amusing and evocative essayist. (But you already knew that, because approximately ninety-three percent of the population read Sex, Drugs and Cocoa Puffs and immediately said, "You know, I always thought that about The Real World".) I've been furtively reading Dinosaur in bookstores since it was released, because I'm one of those unfortunate people ('college students') who wait for the paperback version of everything and become utterly convinced that they are missing something in the interim. By the time it's released in paperback, I will have read the whole thing in the least-used aisles of Barnes and Noble, glancing over my shoulder every few paragraphs. Fortunately, Amazon has an preview essay here, which I highly recommend. It has exactly those qualities that are so appealing about Klosterman's work--the self-consciousness, the preoccupation with pop culture, and the reward in finding depth where we expect shallowness (again, The Real World.)
Happy reading!
Meaghan
Wednesday, October 28, 2009
Wes Anderson's Fantastic Mr. Fox: bringing another children's book to life
The most recent one profiles Wes Anderson. I’m a fan, I suppose: I loved Rushmore and The Royal Tenenbaums. But The Life Aquatic didn’t sit well with me, and so after having sat through that movie I decided I could not sit through The Darjeeling Limited.
Still. I like looking at his films. They make me feel good: the color and crispness he affords his inanimate objects puts me in a stupor, sometimes. (I consider that a good thing.)
Apparently, Anderson’s working on a new movie called Fantastic Mr. Fox, adapted from the 1970 Roald Dahl children’s book of the same name. In order to translate the book into a movie, Anderson extended the story at both ends: he explains that he imagined Dahl’s book as merely the second chapter in a three-chapter story; this meant Anderson had to provide chapters one and three in order to fill out the story (which he did).
And this got me thinking: why are so many people adapting children’s books to film? And, moreover: why are they producing them in such fantastic(al) ways? Consider the production of Eggers’s Where the Wild Things Are. And, consider, too, that Anderson has chosen to use stop-motion animation in order to bring Fantastic Mr. Fox to life, a choice to me that sounds painstaking, if also beautiful.
Perhaps these kinds of translations let us simultaneously reflect on our shared past (since most of us have read these books) and think about what a shared future might look like. I say “might” of course, because (especially given what’s been happening in the world lately) I can’t even fathom what tomorrow – let alone the next generation – will look like. Perhaps we watch these movies and feel a fleeting sense of belonging because they refer us back to our childhood. I think it’s one reason we read books or stories at all: maybe they don't make us think about our childhood, per se, but they do let us feel connected to something outside ourselves.
I haven’t seen Where the Wild Things Are, and Fantastic Mr. Fox hasn’t even come out yet. But their very existence excites me and makes me want to figure out why such a prominent author, say, or such a quirky director, for example, would want to devote years of their (very busy) lives to a simple children’s book.
Thoughts?
--Steph
Sunday, October 25, 2009
Wednesday, October 21, 2009
Ooh la la, Avery 5 teasers!
- feces is removed from a pool.
- “If your parents smoke, they may die of deadly cancers.”
- an accusation can’t be taken back.
- a carpet is ruined.
- women cry.
- a relationship ends.
- Red Sox tickets prove evasive.
- An aquarium has tight security.
- Sy eats his first shrimp.
- stockings are misplaced.
- a ballerina is purchased.
- Morton loses a keno game.
- a dog says, “I want your cheese.”
- couples therapy fails.
“He Seldom Deigns to Beat This Sickly Child” by B.B. Sevilla, in which:
- a pig farm is founded.
- Katie Couric wears houndstooth.
- the women’s team wins charades.
- a grandson plays with action figures.
- a son-in-law tries to get an advertising business off the ground.
- a hug goes badly.
“Falling” by Claire Hero, in which:
- a woman wins twenty-five dollars.
- couples chat on a porch.
- Dale and Fran aspire to a Lincoln.
- hats are not for everyone.
- a date is extremely ill-timed.
- flying is dangerous.
- firefighters are competent.
- waffle fries are contraband.
- the vodka is under the sink.
- the lawn is flooded.
- ninjas can turn invisible.
- the fall-winter collection doesn't arrive for another week or two.
- Five hundred dollars seems reasonable.
- Norwegians come to visit.
- A stun gun is used.
- the doorman's wife has a baby.
- a newspaper is called The Old Mole unironically.
- "Communism would be different here."
Thursday, October 15, 2009
Wild...
Thursday, October 01, 2009
Last Friday...
For those who have never been to Book Court (and I hadn't, prior to this reading) it is a bookstore that seems to specialize in "I've been meaning to read that forever!" Honestly. Everywhere I looked.
The reading area, in the back, was absolutely bursting with people who love Emma. Standing room only. Elijah Jenkins of Flatmancrooked started out by introducing the Launch program, and then Emma herself. She read from Fly-Over State, and then, briefly, from a work-in-progress, a selection that contained chivalry, college, Bruce, and the Port Authority, and then took questions while pretending not to know the people asking them. It was a lively, funny reading, and I got to go home with my copy of Fly-Over State, which, by the way, you can purchase here. Without giving anything away--it's awesome.
-Meaghan
Tuesday, September 29, 2009
When Fiction Writers Start Telling the Truth
New York magazine made this handy-dandy chart of this season's memoirs by fiction writers, including books by Jonathan Safran Foer, Zadie Smith, Stephen Elliot, and Margaret Drabble. Zadie Smith's sounds just delicious to me at the moment, while Jonathan Safran Foer's makes me feel even less love for Park Slope. You?
Click here for the entire list.
--Emma